Be it the melodious notes of Sufi music. Qutab’s dim-lit backdrop. Or the star-lit ramp.Everything was perfect. And classy enough to mark the end of the second day of WIFW. Tarun Tahiliani chose to do things differently.
He had opted for an off site show, to, “add more drama and colour.” And he succeeded.
His Blue Frog event, and the collection displayed, were fabulous, to say the least. From multiple drapes, to the use of techniques inspired by medieval Turkey. Everything was innovative.
It was probably the most extensive collection showcased at the fashion week so far. With over 52 designs. In different prints and drapes. “It was divided in three categories, ‘Sculpt and Strap, Sublime Austerity and Broken Tapestries.’
The first of these featured constructed pieces inspired by bridle and chest straps used in medieval Turkey. Woven straps in geometric shapes held up dress drapes, which were inspired by turbans. Symmetrical draping techniques like twisting, knotting and fluting were also done on the garments.
The second collection was more about the use of interesting motifs and prints.
There were ikat patterns, with an oxidised and withered look in dull gold and silver zari on velvet. “The third one had Turkish carpet prints,” explained the designer.
The best part about the collection were the colours that the designer had used.
There was deep wine, violet, rust and soothing blue.
Each garment was accentuated by motifs and metallic chains. There were pre-stitched saris, cocktail dresses with multiple drapes, shirts, tunics, sculpted cholis and bolero jackets in velvet.
Fine detailing made the ensembles more impressive. The do was heavily attended. Some guests occupied ringside seats, while the party was still in progress.
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