Some journalists write the news, and then there are those who write history. T.J.S. George belonged to that rare second kind — a man who didn’t just report events but reshaped how we understood them. When he passed away at 97, India lost not only a chronicler of truth but also the moral compass of its journalism.
Born Thayyil Jacob Sony George on May 7, 1928, in the village of Thumpamon in Kerala’s Pathanamthitta district, his journey from a small-town boy to one of Asia’s most respected editors mirrored the evolution of Indian journalism itself. After studying English Literature at Madras Christian College, George began his career at just nineteen with The Free Press Journal in Bombay, a crucible of post-independence idealism. There, he learned that journalism was not about pleasing power but questioning it — a conviction that would define his life.In 1965, that conviction landed him in jail.
As editor of The Searchlight in Patna, George exposed corruption under Bihar Chief Minister K.B. Sahay. The government retaliated with sedition charges, making him the first editor in independent India to be imprisoned for his writing. It was a defining moment — one that tested both the freedom of the press and the strength of India’s democracy. Defence Minister V.K. Krishna Menon, returning to his lawyer’s robes, personally defended him in court — a gesture that underscored that truth still had allies.
George’s spirit remained unbroken. A decade later, when much of Asia was viewed through Western lenses, he co-founded Asiaweek in Hong Kong with Michael O’Neill. The magazine was revolutionary — “Asia as seen by Asians.” Within a year, it was profitable and influential, offering a bold, pan-Asian voice that rivalled Time and Newsweek. When Time eventually bought and shut it down, George wrote that it was more than business — it was how power silences independence.Returning to India in 1981, George joined The Indian Express, where he remained for 25 years. His columns, spanning politics, literature, cinema, and culture, were masterclasses in clarity and elegance. He wrote not to impress, but to illuminate. His prose carried music and precision — never shrill, never careless. “Journalism,” he often said, “is not a profession, it is a public trust.”Over the years, George became as celebrated for his books as for his journalism.
His biographies of V.K. Krishna Menon, Nargis, and Lee Kuan Yew remain benchmarks of literary reportage. His 2008 autobiography, Ghoshayatra (The Procession), chronicled half a century of Indian media with wit and candour. Anecdotes — like Jawaharlal Nehru’s quip to J.R.D. Tata's about nationalization became a timeless reflection of his style: sharp, humorous, humane. In 2011, he received the Padma Bhushan, and in 2019, Kerala’s Swadeshabhimani–Kesari Award — the state’s highest journalism honour. Yet, he wore recognition lightly. For him, integrity outlasted applause. Through his writings, T.J.S. George taught generations that journalism’s duty was not to echo the powerful but to enlighten the public.
Even in his nineties, his pen remained fearless, precise, and deeply moral. He believed that truth was not loud — it was enduring. As he departs, George leaves behind more than words — he leaves a way of seeing. His journalism was not about breaking news, but about building understanding. And as long as truth matters, T.J.S. George will be remembered — not just as an editor or author, but as the conscience of Indian journalism.
The writer is an Associate Professor Centre for South Asian Studies, Pondicherry Central University
