CentreStage Weekend celebrated the magic of live performances, bringing together tradition, emotion, and unforgettable talent, writes SAKSHI PRIYA
Art is the only way to run away without leaving home,†said Twyla Tharp, and this sentiment was brought to life at the Kiran Nadar Museum of Art (KNMA) through CentreStage Weekend 2024. The two-day festival was an immersive celebration of creativity, where youthful innovation met timeless traditions, leaving the audience mesmerised. The eclectic mix of performances, from Kuchipudi and Carnatic music to Welsh, Naga folk, and Sufi traditions, showcased the extraordinary diversity and boundless possibilities within the world of performing arts.
The event opened with a captivating Kuchipudi performance by Yamini Kalluri, whose graceful movements were perfectly complemented by the evocative piano playing of Andreas König. This fusion of classical dance with contemporary elements demonstrated how tradition can evolve while maintaining its essence. It was a performance that effortlessly bridged the past and present, inviting the audience to witness the beauty of classical dance reimagined.
Next, Welsh musician Mari Mathias and Naga artist Seyievinuo Chuzho brought a stunning cross-cultural exchange to the stage. Supported by the British Council, their collaboration fused Welsh folk music with Naga sounds, creating a rich, harmonious blend that transcended geographical boundaries. This moment highlighted the power of music to forge connections, creating something new and unique while honouring cultural roots.
The energy only escalated as the day progressed, with Kartikeya Vashisht and Makrand Sanon’s flute and percussion duet taking the audience on a thrilling journey. Their performance was a lively fusion of Indian classical music with jazz, blues, and world influences, offering a fresh and dynamic take on traditional sounds. This exciting exploration of musical boundaries captivated both purists and modern music lovers alike, exemplifying the endless possibilities of cross-genre experimentation.
The evening came to a striking conclusion with TAL FRY, a percussion ensemble that pushed the limits of Indian rhythmic traditions. Their experimental approach to percussion was not only a feast for the ears but also a visual and emotional experience. The performance boldly challenged conventions and left the audience buzzing with a sense of energy and excitement, perfectly closing the first day of the festival.
The second day began with the GMI Ensemble’s dynamic performance, blending jazz, Latin, pop, and fusion genres. Their innovative mix showcased the creativity of the new generation of musicians. Spoorthi Rao’s soulful Carnatic performance followed, beautifully merging traditional and modern elements. The evening concluded with Mehtab Ali Niazi’s emotive sitar performance, which connected the audience to the timeless beauty of Indian classical music.
CentreStage Weekend 2024 ended with a stirring performance by Jashn-e-Sufiana, a Sufi band from Delhi, whose blend of classical jugalbandi with modern influences created an unforgettable and emotional experience, leaving the audience with a sense of cultural and artistic enrichment. This festival was a reminder of the immense talent and creativity of the next generation of artists. It provided a unique platform for young performers to experiment with new forms while staying deeply rooted in their cultural traditions.
