Monday marked the last day of the anniversary celebration at Madhya Pradesh State Tribal Museum.

Here on Monday  Ranjana Agrawari (Uttar Pradesh) presented 'Awadhi / Bhojpuri singing' with his fellow artists. In which he first presented 'Veena Ki Baajiya Sato Sur Rachaya'.

After this, the artists presented the song 'Harme Bhaiya Vatan Ki Sipahi Hum Kisan Kaval Karela' to the audience. After this, the artists spelled all the audience by presenting their artistic singing skills by performing 'Chhatch Chak Chheke Arijwa  Dadra 'Humari Atariya Pe Aza Re Saawariya'.

After the captivating presentation of Dadra, Ranjana Apharri presented the song 'Manai Na Batia Hamar', 'Godna Godi Gondon Hari' and Goddess 'Saya More Gale Rama', along with fellow actors respectively. Ranjana Agrahari paused her rendition of the song 'Hamar Piya Kriti Ma' and 'Jala Lalkar Ki Billa Haakou More Saia Gaadiwan' in the development song.

During the singing presentation, Hassim Ahmad on the keyboard, Anand Swaroop, on the Harmonium, Mohammed Shakeel on Dholak, Gaurav Kumar on Tabla and Sunil collaborated on the Aako Pad.

After singing tribal dances were performed, in which Arjun Baghare (Madhya Pradesh) first presented 'Dandar Dancing' with nearly 20 artists. This dance is done from guruparnima to gyasas. This dance is performed on auspicious occasions and festivals. In this dance presentation, Babulal on Dholak and Niram collaborated on the table.

After the stellar dance, Mavaram Garasia (Rajasthan) presented the 'Vaalar dance' of Garasia tribe with their fellow artists in front of the audience. This dance is performed during Gan Gaur Mela and on the occasions of festivals as well as on festivals. In this dance presentation, Mavaram on the drum, Subraram on the kundi and on the hoof Mukesh collaborated.

Following this Rajan Vaidya (Maharashtra) presented 'Songi Mask Dance' of Kathakur tribe with nearly 20 artists. This dance is done from the second day of Holi for about seven days. It is a dance of festivals and festivals. During the dance presentation, Jayaram on the clarinet, Dadu Madi on Sur and Gangaram supported Sobbal.

After this Hemlata Tirki (Chhattisgarh) presented 'Karma Dance' with her nearly 20 actors. It is danced in a happy new arrival. This dance is often a dance on the mantra (instrumental instrument).

After Karma Dancing, Arjun Baghare (Madhya Pradesh) presented 'chic dance' on the flute's tune with nearly 20 actors. This dance is done for about one month from the day of Govardhan Puja at Deepawali. In this dance, cattle are respected and their worship is the goal.

In this dance presentation, Guddu and Mansu performed Babulal and Bhagwat in the dholak playing and Niram collaborated in the hour of play. After the chic dance, Mavaram Garasia (Rajasthan) presented the non-dance group of 'Garasia tribe' with their fellow artists. This dance is performed from the second day after the Holi.

After non-dance, Rajan Vaidya (Maharashtra) presented 'Tarpa dance' with nearly 20 artists. In this dance, an artist plays Tarpa and it is performed on the same dance, which is why it is called Tarpa dance. This dance is performed on the occasion of Dussehra, Deepawali and any celebration.

At the end of the dance presentation, Pratap Singh (Madhya Pradesh) presented 'Bhagoria Dance' of Bhal tribe with nearly 20 fellow artists. Bhagoria dance is a well-known folk dance of Bhil, spread across a wide area of ??Madhya Pradesh. Due to the 'Bhagoria Gala', which falls in Falgun month, its name has been called 'Bhagoria Dance'. This famous dance is done on the occasion of Holi festival of India's main festival. Babu, on the drum during dance presentation, Pinched on Mandar, Sheru and Bheru on the flute and interiassed in Thali playing.